Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.

Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions.

Launched in 1975, the Califia Community organized activist educational camps and other programs in southern California until its dissolution in 1987. An alternative to mainstream academia’s attempts to tie feminism to university courses, Califia blended aspects of feminism that spanned the labels “second wave” and “radical,” attracting women from a range of gender expressions, sexual orientations, class backgrounds, and races or ethnicities. Califia Women captures the history of the organization through oral history interviews, archives, and other forms of primary research. The result is a lens for re-reading trends in feminist and social justice activism of the time period, contextualized against a growing conservative backlash.

Throughout each chapter, readers learn about the triumphs and frictions feminists encountered as they attempted to build on the achievements of the postwar Civil Rights movement. With its backdrop of southern California, the book emphasizes a region that has often been overlooked in studies of East Coast or San Francisco Bay–area activism. Califia Women also counters the notions that radical and lesbian feminists were unwilling to address intersectional identities generally and that they withdrew from political activism after 1975. Instead, the Califia Community shows evidence that these and other feminists intentionally created an educational forum that embraced oppositional consciousness and sought to serve a variety of women, including radical Christian reformers, Wiccans, scholars of color, and GLBT activists.

From an acclaimed author comes a fascinating story of the life, marriage, and death of an all but forgotten Roman woman. Born to an illustrious Roman family in 125 CE, Regilla was married at the age of fifteen to Herodes, a wealthy Greek who championed his country's values at a time when Rome ruled.

Twenty years later--and eight months pregnant with her sixth child--Regilla died under mysterious circumstances, after a blow to the abdomen delivered by Herodes' freedman. Regilla's brother charged Herodes with murder, but a Roman court (at the urging of Marcus Aurelius) acquitted him. Sarah Pomeroy's investigation suggests that despite Herodes' erection of numerous monuments to his deceased wife, he was in fact guilty of the crime.

A pioneer in the study of ancient women, Pomeroy gathers a broad, unique array of evidence, from political and family history to Greco-Roman writings and archaeology, to re-create the life and death of Regilla. Teasing out the tensions of class, gender, and ethnicity that gird this story of marriage and murder, Pomeroy exposes the intimate life and tragedy of an elite Roman couple. Part archaeological investigation, part historical re-creation, and part detective story, The Murder of Regilla will appeal to all those interested in the private lives of the classical world and in a universal and compelling story of women and family in the distant past.

A history of racism and segregation in twentieth-century Houston and beyond.

Through the 1950s and beyond, the Supreme Court issued decisions that appeared to provide immediate civil rights protections to racial minorities as it relegated Jim Crow to the past. For black Houstonians who had been hoping and actively fighting for what they called a “raceless democracy,” these postwar decades were often seen as decades of promise. In Houston and the Permanence of Segregation, David Ponton argues that these were instead “decades of capture”: times in which people were captured and constrained by gender and race, by faith in the law, by antiblack violence, and even by the narrative structures of conventional histories. Bringing the insights of Black studies and Afropessimism to the field of urban history, Ponton explores how gender roles constrained thought in black freedom movements, how the “rule of law” compelled black Houstonians to view injustice as a sign of progress, and how antiblack terror undermined Houston’s narrative of itself as a “heavenly” place.

Today, Houston is one of the most racially diverse cities in the United States, and at the same time it remains one of the most starkly segregated. Ponton’s study demonstrates how and why segregation has become a permanent feature in our cities and offers powerful tools for imagining the world otherwise.

What leads us to respond politically to the deaths of some citizens and not others? This is one of the critical questions Heather Pool asks in Political Mourning. Born out of her personal experiences with the trauma of 9/11, Pool’s astute book looks at how death becomes political, and how it can mobilize everyday citizens to argue for political change. 

Pool examines four tragedies in American history—the Triangle Shirtwaist Factory Fire, the lynching of Emmett Till, the September 11 attacks, and the Black Lives Matter movement—that offered opportunities to tilt toward justice and democratic inclusion. Some of these opportunities were taken, some were not. However, these watershed moments show, historically, how political identity and political responsibility intersect and how racial identity shapes who is mourned. Political Mourning helps explain why Americans recognize the names of Trayvon Martin and Sandra Bland; activists took those cases public while many similar victims have been ignored by the news media. 

Concluding with an afterword on the coronavirus, Pool emphasizes the importance of collective responsibility for justice and why we ought to respond to tragedy in ways that are more politically inclusive.

At the time of his death in 1984, Ithiel de Sola Pool had completed a rough draft of a manuscript he had been working on for years. It contained his vision of a new world resulting from the social and political consequences of communications technology. Edited into an elegant synthesis of technology, history, politics, and economics by his friend and fellow scholar, Eli Noam, this is the intellectual legacy of one of our century's wisest social critics.

In the book Pool foresees dramatic changes that will revolutionize culture and society as much as printing did five centuries ago. Because distance no longer places a significant economic burden on communications, he predicts complex changes in the spatial patterns of human settlements. People will not simply move away from cities and disperse, but will cluster together in new ways, for different reasons, and in different locations. The increasingly lower cost of long distance communication will also cause political movements that formerly would have been confined to their country of origin to spill over national boundaries, creating threats to national sovereignty. Furthermore, the ability to customize messages and target them to specific audiences could also work to undermine social and political cohesion. What will it mean to the effective functioning of democratic societies, Pool asks, if the influence of the mass media weakens and citizens can no longer agree on a common agenda of problems, let alone solutions to those problems? Pool also shows how the coming convergence of print and electronic media could lead, inadvertently, to the erosion of the system of free public discourse that we value so highly.

Technologies without Boundaries is a book of great social and political import, accessible—and necessary—to thoughtful readers living in this century and beyond.

What do India’s millennials want and how are they transforming one of the youngest, most populous nations in the world?

More than half of India is under the age of twenty-five, but India’s millennials are nothing like their counterparts in the West. In a country that is increasingly characterized by ambition and crushing limitations, this is a generation that cannot—and will not—be defined on anything but their own terms. They are wealth-chasers, hucksters, and fame-hunters, desperate to escape their narrow prospects. They are the dreamers.

Award-winning journalist Snigdha Poonam traveled through the small towns of northern India to investigate the phenomenon that is India’s Generation Y. From dubious entrepreneurs to political aspirants, from starstruck strivers to masterly swindlers, these are the clickbaiters who create viral content for Facebook and the internet scammers who stalk you at home, but they are also defiant student union leaders determined to transform campus life. Poonam made her way—on carts and buses, in cars and trucks—through India’s badlands to uncover a theater of toxic masculinity, a spirited brew of ambition, and a hunger for change that is bound to drive the future of the country.

The American family is changing. Divorce, single parents, and stepfamilies are redefining the way we live together and raise our children. Is this a change for the worse? David Popenoe sets out the case for fatherhood and the two-parent family as the best arrangement for ensuring the well-being and future development of children.

His argument has two critical assumptions, which he supports with evidence from a variety of disciplines, including anthropology, biology, and history. The first is that children flourish best when raised by a father and a mother with their differing psychological and behavioral traits. The second is that marriage, which serves to hold fathers to the mother-child bond, is an institution we must strengthen if the decline of fatherhood is to be reversed.

As educators and legislators across the country debate how to improve public schools, the most vital factor often disappears from the equation—the relationship between the teacher and the student. According to veteran educators Rita and Marco Portales, this relationship is the central issue in the education of students, especially Latino/a students who often face serious barriers to school success because of the legacy of racism, insufficient English-language skills, and cultural differences with the educational establishment.

To break down these barriers and help Latino/a students acquire a quality education, the Portaleses focus attention on the teacher-student relationship and offer a proven method that teachers can use to strengthen the print and oral skills of their students. They begin by analyzing the reasons why schools too often fail to educate Latino/a students, using eloquent comments from young Latinos/as and their parents to confirm how important the teacher-student relationship is to the student's success. Then they show how all educational stakeholders—teachers, administrators, state education agencies, legislators, and parents—can work together to facilitate the teacher-student relationship and improve student education. By demonstrating how teachers can improve students' reading, critical thinking, writing, and oral communication skills across the curriculum, they argue that learning can be made more relevant for students, keeping their interest levels high while preparing them for academically competitive colleges.

When Alisse Portnoy recovered petitions from the early 1830s that nearly 1,500 women sent to the U.S. Congress to protest the forced removal of Native Americans in the South, she found the first instance of women's national, collective political activism in American history. In this groundbreaking study, Portnoy links antebellum Indian removal debates with crucial, simultaneous debates about African Americans--abolition of slavery and African colonization--revealing ways European American women negotiated prohibitions to make their voices heard.

Situating the debates within contemporary, competing ideas about race, religion, and nation, Portnoy examines the means by which women argued for a "right to speak" on national policy. Women's participation in the debates was constrained not only by gender but also by how these women--and the men with whom they lived and worshipped--imagined Native and African Americans as the objects of their advocacy and by what they believed were the most benevolent ways to aid the oppressed groups.

Cogently argued and engagingly written, this is the first study to fully integrate women's, Native American, and African American rights debates.

Chersonesan Studies 1 presents the painted grave stelai of the Early Hellenistic necropolis of Chersonesos Taurike, a Greek city on the northern shore of the Black Sea. This unique collection of over one hundred objects is of major interest to students of ancient art and Greek culture. Their polychrome decoration has been extraordinarily well preserved, a rarity in the ancient world. They compose a remarkable, even unique, body of evidence of Greek funerary memorial sculpture: their shapes are gender-specific, their depicted objects are gender- and age-specific, and they can be ascribed to a handful of specific workshops. Their surprising uniformity requires an explanation, since comparable assemblages from other parts of the Greek world show substantial diversity in all these aspects.

This book provides the first complete catalog and description of the stelai, together with full-color illustrations of all the significant stelai and many details. Through his painstaking recovery and reassembling of fragments, as well as the use of advanced photographic techniques, Richard Posamentir has been able to add a whole new dimension to the study of these artifacts. The volume covers the history of the stelai, analysis of the workshops, and reconstruction of the necropolis that the stelai originally graced. A comparison chapter discusses how the stelai fit into the context of Greek funerary art and provides insights into the culture and society of a city on the Black Sea.

Biosocial criminology—and biosocial criminologists—focuses on both the environmental and biological factors that contribute to antisocial behavior. Importantly, these two domains are not separate parts of an equation but pieces of the same puzzle that fit together for a complete picture of the causes of crime/antisocial behavior. 

Fitting the Facts of Crime applies a biopsychosocial lens to the “13 facts of crime” identified by John Braithwaite in his classic book, Crime, Shame and Reintegration. The authors unpack established facts—about gender and sex, age, environment, education, class, social bonds and associations, stress, and other influences—providing both empirical research and evidence from biopsychosocial criminology to address the etiology behind these facts and exactly how they are related to deviant behavior.

With their approach, the authors show how biopsychosocial criminology can be a unifying framework to enrich our understanding of the most robust and well-established topics in the field. In so doing, they demonstrate how biological and psychological findings can be responsibly combined with social theories to lend new insight into existing inquiries and solutions. Designed to become a standard text for criminology in general, Fitting the Facts of Crime introduces key concepts and applies them to real-world situations.

A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture.

Contributors: Bayarsaikhan Badamsuren, Otgonbaayar Chuulunbaatar, Andrew Colwell, Johanni Curtet, Charlotte D’Evelyn, Tamir Hargana, Peter K. Marsh, K. Oktyabr, Rebekah Plueckhahn, Jennifer C. Post, D. Tserendavaa, and Sunmin Yoon

"They say that the eldest of the chief's daughters..." So begins a tale from the Basotho, unfolded by the meager light of a dung fire that burns smokily behind the reed screen sheltering the entrance of the hut. The old ones of the tribe wait until dark before telling their stories, for everyone knows horns will grow from the head of one who tells a story during daylight hours. Tales from the Basotho abounds with elements familiar to folk narrative. The heroes and heroines are the chiefs and their wives, their sons and their daughters. Fantastic creatures frequent the narratives. exhibiting their awful powers.

Rustic peace and beauty pervade the stories, as Minnie Postma amply demonstrates in her versions of the tales. Something fearful may be occurring—the dreaded Koeoko pulling the only son of the chief under water—but, at the same time, girls with babies tied to their backs are searching for edible bulbs in the veld, and an old woman dreams in the gentle sunlight in front of the huts.

These tales from the Basotho are for entertainment only. There is a tabu against telling tales while the sun shines, because daylight hours must be saved for work. The telling itself is the· reason the story exists, for the audience is already aware of the outcome of each tale. As Wm. Hugh Jansen emphasizes in his foreword, "text" and "context" are often easily interpreted and made accessible in a translation, but Tales from the Basotho is ultimately successful for its rendering of "texture." And texture is doubly hard to convey when the telling itself is of primary importance. Minnie Postma and Susie McDermid have transferred the art of the Basotho raconteur onto the printed page. All the simple, understandable formulas, exclamations, and repetitions used so skillfully by the native storyteller are present. Rhythm is an important element in the tales, and a word, a phrase, even a whole paragraph will be repeated until the rhythm satisfies the storyteller, in tum increasing the appreciation of the listeners.

The expression “the New South” was introduced by Henry Grady, editor of the Atlanta Constitution, to a New York audience in 1886; every generation of writers since has used the term. The southern population, unique in its socioeconomic and cultural characteristics, has always been a topic of major interest with U.S. demographers.

The articles in this book, the majority of which were originally presented at the Southern Regional Demographic Group meeting in 1976, deal with fertility, mortality, migration, and the factors that influence these components. A number of the contributors trace patterns of demographic change in the South showing convergence with the rest of the United States. Questions are raised about whether the convergence represents a permanent trend—possibly due to increased communication—or whether further divergence may be expected in the future.

The contributors include Dudley L. Poston, Jr., William J. Serow, Robert H. Weller, Ronald R. Rindfuss, Harry M. Rosenberg, Drusilla Burnham, David F. Sly, Omer R. Galle, Robert N. Stern, Joachim Singelmann, Susan E. Clarke, and George C. Myers.

John Leo and Dana Heller Award for Best Single Work, Anthology, Multi-Authored or Edited Book in LGBTQ Studies, Popular Culture Association (PCA), 2020

In Queer Timing, Susan Potter offers a counter-history that reorients accepted views of lesbian representation and spectatorship in early cinema. Potter sees the emergence of lesbian figures as only the most visible but belated outcome of multiple sexuality effects. Early cinema reconfigured older erotic modalities, articulated new--though incoherent--sexual categories, and generated novel forms of queer feeling and affiliation.

Potter draws on queer theory, silent film historiography, feminist film analysis, and archival research to provide an original and innovative analysis. Taking a conceptually oriented approach, she articulates the processes of filmic representation and spectatorship that reshaped, marginalized, or suppressed women's same-sex desires and identities. As she pursues a sense of "timing," Potter stages scenes of the erotic and intellectual encounters shared by historical spectators, on-screen figures, and present-day scholars. The result is a daring revision of feminist and queer perspectives that foregrounds the centrality of women's same-sex desire to cinematic discourses of both homo- and heterosexuality.

Situated roughly midway between the great cities of the Indus Valley and those of the Mesopotamian plains, Tepe Yahya occupies a special place in our conceptions of relations between these distant territories during the early Bronze Age. Its third-millennium levels, dating from 3000 to 2100 BC, are particularly important.

In this definitive study, D. T. Potts describes the stratigraphy, architecture, ceramics, and chronology of the site and presents a full inventory of the small finds. Holly Pittman contributes comprehensive illustrations and a discussion of the seals and sealings, and Philip Kohl provides an analysis of the carved chlorite industry. In a foreword and afterword, project director C. C. Lamberg-Karlovsky tells the story of the archaeological expedition and reflects on the contributions of the Tepe Yahya project.